Both keyboards and accordion were deployed with keyboard sounds ranging from Grand Piano to a Fender Rhodes sound for use with one song, the plan being to record both the ‘natural’ sound of the keyboard through amp and through the infinitely flexible midi, in the end using ‘just’ the midi was fine, plus the more breathy tones of the accordion caught with 2 mics (or was it 3 with an additional room mic?) through the air.
Emma made fast work of whipping through the tracks, mostly in one take (some tracks being doubled -up in any case). You couldn’t really meet a calmer, more professionally focused pair of musos than Em or José.
Top work!
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